I don’t really write movie reviews. I’ll say I liked a movie without saying exactly why, then I’ll point to something about the movie that made me think, and I’ll go off on a tangent. So bear with me. Oh, and spoilers everywhere.
Grandma stars Lily Tomlin as grandma, aka Elle Reid. I’ve loved Lily Tomlin since I was a little kid. In the 1970s she would guest star on Sesame Street as a character my sisters and I called the retarded girl. I know, not a nice thing to say. And not something I’d say today as an adult and a social worker.
Tomlin sat in a giant rocking chair, dressed like a child. It was a skit she had done since the early ’70s on Laugh-In. As a five year old watching Sesame Street I thought she really was a child, but I knew something wasn’t quite right. My mother claimed that Tomlin wasn’t small. Instead, the chair was big. But Jean Piaget told us almost a century ago that little kids don’t get stuff like that. Hence a child’s conclusion that Tomlin had special challenges.
Lately she’s played Frankie in the Netflix comedy Grace and Frankie, which is about two women whose husbands divorce them for each other. It’s an ingenious and hilarious look at gay marriage.
But I digress.
In Grandma, Tomlin’s granddaughter Sage is pregnant and has decided to have an abortion. The film doesn’t hem and haw over a choice that’s she’s already made, nor does it debate the issue. The problem is finding enough money to pay for the abortion. Bravo.
Grandma is really about women mending relationships. There’s grandma’s grief over the death of her long time partner and fear of committing to the new woman in her life. And there’s grandma’s broken relationship with her daughter while Sage deals with similar mother-daughter issues.
Sage’s boyfriend is an irresponsible kid with a beard that looks like an armpit on your face (I laughed out loud at that line). When grandma tells the boy that he is responsible for half the cost of the abortion, he threatens her with a hockey stick. So she grabs it and slams him in the nuts.
Later, grandma finds her ex-husband (played by Sam Elliott), and he manages to extort a kiss from her in exchange for loaning her the money. But then he tries to extort sex. And once he finds out what the money is for, he adamantly refuses because grandma aborted their child 50 years ago without even telling him she was pregnant.
The only (presumably) decent man in the film is married to a woman with a women’s studies degree, but she won’t let him speak.
Still, I enjoyed the film Grandma (and Themla & Louise and Maleficent), and I recommend seeing it.
But Grace De Rond, writing for the Good Men Project, asks “Why Is America the Home of Male Bashing?” She married a man from the Netherlands, and she writes about questions he had when he first experienced American culture first hand. “Why was Papa Berenstain clumsy and over-reactive? And why was he portrayed as a poor husband and dad?” I would add, why is every TV dad a variation of Homer Simpson?
De Rond observes that “This stereotyping of males was new to him because his country doesn’t have a male bashing culture.”
The Danish TV show Rita (which Netflix said I’d like because I watched a Swedish film) illustrates De Rond’s point.
It’s a great show about a nonconformist teacher who really cares about her students, but whose personal life is a bit dysfunctional. Rita’s ex-husband is a narcissist who isn’t involved in the lives of his kids. He left Denmark for London long ago.
Rita is flawed too, however. Yes, she cares about her students. But she’s unable to maintain adult relationships. The headmaster, Rasmus, is a kind man who’s looking for a relationship. But Rita just can’t maintain it, even though Rasmus is great with her kids, one of whom is her gay teenage son.
Rasmus ends up leaving Rita for a woman who’s serious about wanting a relationship. Meanwhile, there are plenty of cads hitting on Rita.
Finally, though Rita’s heterosexual son is a somewhat irresponsible young man, upon becoming a father he does a 180 and become a devoted husband and father.
Rita’s fellow teacher is a young woman who grows personally and professionally as the show goes on. She also struggles with a boyfriend who might not be up to the task of fatherhood, but he eventually comes around too.
My point is that Hollywood has long featured women in push up bras and low IQs, and feminist themed films turn the tables on that. But from what I’ve seen of Scandinavian film and TV, there’s far less gender stereotyping and more character complexity. No wonder De Rond’s husband looked at American culture and was like, seriously?
But there’s hope. The American cable TV show Nurse Jackie features a Rita-like lead character who goes the extra mile for her patients, but who totally fucks up her personal life because of drug addiction. But she tries her hardest to turn her life around.
Her husband (and then ex-husband) is not perfect either. But he is a devoted dad who provides his daughters with some stability. The show has other positive male characters as well.
One of the most interesting characters, however, is Zoey. In the first season she’s nurse fresh out of school, a callow and naive girl. But her character develops bit by bit, and suddenly you realize she’s become a professional and in-charge woman who fills the professional void Jackie has left behind.